Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Âî È., ×óâñòâóþ ñåáÿ ãëóáîêî ïîäàâëåííûì è íåñ÷àñòíûì. èç äíåâíèêîâ 1911—1965 — 2013

Ïî àíàëîãèè ñ æàíðîì "ðîìàí â ïèñüìàõ", ýòó ïóáëèêàöèþ ìîæíî áûëî áû íàçâàòü "ðîìàíîì-äíåâíèêîì". Ðîìàíîì, â öåíòðå êîòîðîãî ïîðòðåò õóäîæíèêà â ðàçíûå ãîäû åãî æèçíè— Èâëèí Âî íà÷èíàåò âåñòè äíåâíèê î÷åíü ðàíî — ñ ìëàäøèõ êëàññîâ øêîëû, è ïðîäîëæàåò åãî — ïîðîé ñî çíà÷èòåëüíûìè, áûâàåò, ìíîãîëåòíèìè ïåðåðûâàìè — âñþ ñâîþ áóðíóþ æèçíü, ïî÷òè äî ñàìîé ñìåðòè. Èòàê, êòî æå ñìîòðèò íà íàñ ñ ïîðòðåòà?  ðàçëè÷íûå ýòàïû æèçíåííîãî ïóòè øêîëüíèê, ñòóäåíò, ïèñàòåëü, ïåäàãîã, îôèöåð, äèâåðñàíò, ó÷åíûé è ò.ä. è ò. ï. Îäíèì ñëîâîì, ïåðåä íàìè òèïè÷íûé àíãëè÷àíèí: íå ñêëîííûé ê îòêðîâåííîñòè, ñäåðæàííûé, âñåìè ñèëàìè îãðàæäàþùèé ñâîé âíóòðåííèé ìèð îò âíåøíåãî— è îäíîâðåìåííî èðîíè÷íûé, ñêëîííûé ðàññìàòðèâàòü è ñåáÿ è ìèð ñ ïîçèöèé âåñüìà "÷åðíîãî" þìîðà— Ýòîò ëåãêî óçíàâàåìûé, òèïè÷íî àíãëèéñêèé þìîð è ñîñòàâëÿåò îñíîâíîå äîñòîèíñòâî ïðåäëàãàåìûõ ÷èòàòåëþ äíåâíèêîâ.

Ñîäåðæàíèå: Øêîëà Õèò-Ìàóíò; Ëàíñèíã-êîëëåäæ; Äâàäöàòûå ãîäû; Òðèäöàòûå ãîäû; Âîåííûå ãîäû; 1945—1965

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Âî È., Ìåðçêàÿ ïëîòü. ðîìàí — 2005 (Òåêñò) (Êíèãè êàðìàííîãî ôîðìàòà)

Ðîìàí ïîâåñòâóåò î æèçíè àíãëèéñêîé àðèñòîêðàòèè äâàäöàòûõ ãîäîâ, î ðàçâëå÷åíèÿõ è ýêñòðàâàãàíòíûõ âûõîäêàõ "çîëîòîé ìîëîäåæè", îòáðîñèâøåé ïóðèòàíñêóþ ìîðàëü

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Âî È., Ñëåïîê ýïîõè. ðàññêàçû. [ïåðåâîä ñ àíãëèéñêîãî] — 2004

 íàøåé ñòðàíå àíãëèéñêèé ïèñàòåëü Èâëèí Âî (1903-1966) øèðîêî èçâåñòåí êàê ðîìàíèñò. Äàííàÿ êíèãà çíàêîìèò ðîññèéñêîãî ÷èòàòåëÿ ñ Âî - áëèñòàòåëüíûì ìàñòåðîì-íîâåëëèñòîì è ïðåäñòàâëÿåò ñîáîé ïåðâîå íàèáîëåå ïîëíîå èçäàíèå åãî ðàññêàçîâ íà ðóññêîì ÿçûêå.  ñáîðíèê âêëþ÷åíû ïðîèçâåäåíèÿ, ñîçäàííûå â ðàçíûå ãîäû: êíèãó îòêðûâàåò ðàññêàç "Multa Pecunia", îïóáëèêîâàííûé, êîãäà åãî àâòîðó åäâà èñïîëíèëîñü 12 ëåò, à çàâåðøàåò "Áýçèë Ñèë îïÿòü íà êîíå", íàïèñàííûé â çðåëûå ãîäû

Ñîäåðæàíèå: Ðàññêàçû: Multa Pecunia; Ïîðòðåò ìîëîäîãî ÷åëîâåêà ïðè êàðüåðå; Àíòîíèé - èñêàòåëü óòðà÷åííîãî; Êàê Ýäâàðä äîñòèã íåâîçìîæíîãî; Ôðàãìåíòû: óæèí ñ ïðîøëûì; Çàãîâîð ñ öåëüþ óáèéñòâà; Âíåêëàññíîå çàíÿòèå: ðàññêàç ñ íàòóðàëèñòè÷åñêèìè ïîäðîáíîñòÿìè; Íàöèîíàëüíàÿ èãðà; Ãëàâíîå - ãðàìîòíàÿ ìàøèíèñòêà; Èç æèçíè áëàãîðîäíîãî ñåìåéñòâà è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Âî È., Âîçâðàùåíèå â Áðàéäñõåä. ðîìàí — 2002 (Áèáëèîòåêà æóðíàëà "Èíîñòðàííàÿ ëèòåðàòóðà". ÈË. 042) (Èëëþìèíàòîð)

"Âîçâðàùåíèå â Áðàéäñõåä" - êíèãà îñîáåííàÿ, îáùèé òîí åå - íåæíîñòü è ãðóñòü, à íå ÿçâèòåëüíàÿ ãîðüêàÿ èðîíèÿ, çíàêîìàÿ íàì ïî äðóãèì ïðîèçâåäåíèÿì Èâëèíà Âî. Ñîáñòâåííî, ýòî íå âîçâðàùåíèå, â ïðîøëîå âîçâðàòà íåò, à åùå îäèí ïðîùàëüíûé âçãëÿä íà óõîäÿùóþ ìèëóþ Àíãëèþ ñî ñòàðèííûì óêëàäîì æèçíè ïîñëåäíèõ àðèñòîêðàòè÷åñêèõ ðîäîâ, ïðîùàëüíûé âçãëÿä íà ìîëîäîñòü è ëþáîâü. Ñóæäåíî îñòàòüñÿ ëèøü äðåâíåé ëàìïàäå, îò âåêà ëó÷àùåéñÿ íàä âõîäîì â ìàëåíüêóþ ÷àñîâíþ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêèå ðàññêàçû — 1993 (Áèáëèîòåêà äëÿ äîìàøíåãî ÷òåíèÿ)

 ñáîðíèê âîøëè ðàññêàçû èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé, ìàñòåðîâ æàíðà êîðîòêîãî ðàññêàçà: Ä. Ëîóðåíñà, Ê. Ìýíñôèëä, Ä. Äæîéñà, Ó. Ñîìåðñåòà Ìîýìà, Î. Õàêñëè, È. Âî, Ä. Óýéíà, Ñ. ×àïëèíà. Ïðèâîäÿòñÿ ñâåäåíèÿ î æèçíè è òâîð÷åñòâå àâòîðîâ, çàäàíèÿ äëÿ êîíòðîëÿ è ïîíèìàíèÿ ïðî÷èòàííîãî è äëÿ îáñóæäåíèÿ â àóäèòîðèè. Äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê â èíñòèòóòàõ è íà ôàêóëüòåòàõ èíîñòðàííûõ ÿçûêîâ è äëÿ âñåõ íà÷èíàþùèõ ÷èòàòü àíãëèéñêóþ ïðîçó â ïîäëèííèêå.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., Prose. Memoirs. Essays — 1980

È. Âî - ïðèçíàííûé ìàñòåð ñàòèðè÷åñêîé ïðîçû, îäèí èç êðóïíåéøèõ àíãëèéñêèõ ïèñàòåëåé XX âåêà.  íàñòîÿùèé ñáîðíèê âêëþ÷åíû ïðîèçâåäåíèÿ, ñîçäàííûå ïèñàòåëåì â ðàçíûõ æàíðàõ è íà ðàçíûõ ýòàïàõ åãî òâîð÷åñêîãî ïóòè - ñàòèðè÷åñêèé ðîìàí "Óïàäîê è ðàçðóøåíèå", ïñèõîëîãè÷åñêàÿ ïîâåñòü "Ïðåðâàííàÿ ðàáîòà", ðÿä ðàññêàçîâ è ýññå. Ñáîðíèê ñîïðîâîæäàåòñÿ ïðåäèñëîâèåì íà ðóññêîì ÿçûêå è êîììåíòàðèÿìè ê òåêñòó.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Âî È., Ìåðçêàÿ ïëîòü. Âîçâðàùåíèå â Áðàéäñõåä. Íåçàáâåííàÿ. Ðàññêàçû. ïåðåâîä ñ àíãëèéñêîãî — 1979 (Ìàñòåðà ñîâðåìåííîé ïðîçû. Àíãëèÿ)

 îäíîòîìíèê âîøëè ëó÷øèå ïðîèçâåäåíèÿ çíàìåíèòîãî àíãëèéñêîãî ñàòèðèêà. Ðîìàí "Ìåðçêàÿ ïëîòü" äàåò ñàòèðè÷åñêóþ êàðòèíó æèçíè àíãëèéñêîãî îáùåñòâà 20-õ ãîäîâ íàøåãî âåêà.  ðîìàíå "Âîçâðàùåíèå â Áðàéäñõåä" àâòîð ïîêàçûâàåò îáðå÷åííîñòü áðèòàíñêîé àðèñòîêðàòèè â ñîâðåìåííîì êàïèòàëèñòè÷åñêîì ìèðå. Ïîâåñòü "Íåçàáâåííàÿ" âûñìåèâàåò àìåðèêàíñêèé îáðàç æèçíè.  ñáîðíèê âêëþ÷åíû òàêæå ðàññêàçû ðàçíûõ ëåò

Ñîäåðæàíèå: Ïðåäèñëîâèå / Ã. Àíäæàïàðèäçå; Ðîìàíû: Ìåðçêàÿ ïëîòü / ïåðåâîä Ì. Ëîðèå; Âîçâðàùåíèå â Áðàéäñõåä / ïåðåâîä È. Áåðíøòåéí; Íåçàáâåííàÿ: ïîâåñòü / ïåðåâîä Á. Íîñèêà; Ðàññêàçû: Ìîðñêîå ïóòåøåñòâèå / ïåðåâîä Ì. Ëîðèå; Êîðîòåíüêèé îòïóñê ìèñòåðà Ëàâäýÿ / ïåðåâîä Ì. Ëîðèå; Äîì àíãëè÷àíèíà / ïåðåâîä Ð. Îáëîíñêîé; Òàêòè÷åñêèå çàíÿòèÿ / ïåðåâîä Ð. Îáëîíñêîé

Ïîäðîáíàÿ èíôîðìàöèÿ

Âî È., Îôèöåðû è äæåíòëüìåíû. ðîìàí — 1977

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., The Loved One — 1977 (Penguin Modern Classics)

A riotous caper in the graveyards of southern California. Southern California, as readers of Jessica Mitford's The American Way of Death will know, is unique in the splendid elaboration of its graveyards and funeral customs. Set  against a background of embalming-rooms and crematoria and the unforgettable Whispering Glades Memorial Park, The Loved One  is as ludicrous as Decline and Fall, as incisively shocking as Vile Bodies, and - underneath the laughs - as moving as death itself. A triumph of barbed flippancy.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., Vile Bodies — 1977

Evelyn Waugh's second novel, "Vile Bodies" is his tribute to London's smart set. It introduces us to society as it used to be but that now is gone forever, and probably for good.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Âî È., Ïðèãîðøíÿ ïðàõà. Íå æàëåéòå ôëàãîâ. [ðîìàíû]. [ïåðåâîä ñ àíãëèéñêîãî] — 1971

Ñîäåðæàíèå: Ñìåõ è ñëåçû Èâëèíà Âî / Ã. Àíäæàïàðèäçå; Ðîìàíû: Ïðèãîðøíÿ ïðàõà / ïåðåâîä Ë. Áåñïàëîâîé; Íå æàëåéòå ôëàãîâ / ïåðåâîä Â. Ñìèðíîâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., Brideshead Revisited. The sacred and profane memories of captain Charles Ryder — 2008 (International Bestseller #1)

The purchase of Brideshead Revisited is one of sure investments in your library. You will revisit it very often because it is one of the books that keep you in their thrall forever. Actually, I have a copy in my desk in the office and pick it up to read a few pages when my students are late for meeting. This is a book which can be read in many ways - most of which open up a new perspective on its contents and some of which may help you understand yourself and those you choose to share it with. It may be read as a Christian treatise (Waugh took this quite seriously) and a memoir of studies at Oxford in the 1920s. A story of a misplaced homosexual affection and story of decline of British aristocracy. Whichever way you choose you will not be...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., Black Mischief — 1978

''Black Mischief'', Waugh's third novel, helped to establish his reputation as a master satirist. Set on the fictional African island of Azania, the novel chronicles the efforts of Emperor Seth, assisted by the Englishman Basil Seal, to modernize his kingdom. Profound hilarity ensues from the issuance of homemade currency, the staging of a "Birth Control Gala'', the rightful ruler's demise at his own rather long and tiring coronation ceremonies, and a good deal more mischief.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., Brideshead Revisited — 1978

The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly-disappearing world of privilege they inhabit. Enchanted first by Sebastian at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognize only his spiritual and social distance from them.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., Officers and Gentlemen — 1979

Fueled by idealism and eagerness to contribute to the war effort, Guy Crouchback becomes attached to a commando unit undergoing training on the Hebridean isle of Mugg, where the whisky flows freely and respect must be paid to the laird. But the comedy of Mugg is soon followed by the bitterness of Crete, where chaos reigns and a difficult evacuation must be accomplished. Officers and Gentlemen is the second novel in Waugh's brilliant Sword of Honor trilogy recording the tumultuous wartime adventures of Guy Crouchback, which also comprises Men at Arms and Unconditional Surrender.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., The Complete Short Stories — 2010 (Penguin Modern Classics)

Evelyn Waugh's short stories are the marvelous, concentrated riffs of his comic genius, revealing in miniaturized perfection all the elements that made him the greatest comic writer of our century. We find in them Waugh's almost superhuman technical skill as a writer and his quicksilver attentiveness to the minutiae of human absurdity, as well as his worldly knowledge, his tenderness, his perceptive compassion, and his sophisticated, disabused, but nevertheless forceful idealism.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., Decline and Fall — 1978

Sent down from oxford for indecent behaviour, Paul Pennyfeather embarks on a series of bizarre adventures which start in a minor public school and end in Egdon Heath prison. In this, first novel, Evelyn Waugh immediately caught the ear of the public with his comic, yet curiously touching account of an innocent plunged into the sham, brittle world of high society.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., Scoop — 1979

Lord Copper, newspaper magnate and proprietor of the "Daily Beast", has always prided himself on his intuitive flair for spotting ace reporters. That is not to say he has not made the odd blunder, however, and may in a moment of weakness make another. Acting on a dinner-party tip from Mrs Algernon Smith, he feels convinced that he has hit on just the chap to cover a promising little war in the African Republic of Ishmaelia. One of Waugh's most exuberant comedies, "Scoop" is a brilliantly irreverent satire of "Fleet Street" and its hectic pursuit of hot news.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Waugh E., A Handful of Dust — 1977

After seven years of marriage Lady Brenda Last was mildly bored with country life in the Victorian Gothic mansion that was the symbol of her husband's family pride. The affair she drifted into with a wholly worthless young man began as a diversion fashionable in her class and generation - and became a vortex of ironic calamities. Evelyn Waugh is too subtle a moralist, however, to point a moral, and leaves his readers to take what side they will in this story of a broken marriage. He is, moreover, too sophisticated a chronicler to ignore the comic and the ridiculous in human misfortune, and A Handful of Dust is well flavoured with his shrewd and astringent humour.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ